“Making a seamless record, where every note and syllable is in place and every bass drum beat is identical, is no trick. Any idiot can do it. I prefer to work on records that aspire to greater things, like originality, personality and enthusiasm.”  — Steve Albini

Featured Videos

A selection of videos produced by Third Circle Recordings. Visit our VIDEOS page for more of this kind of thing.

subscribeSubscribe to our channel
«
Prev
1
/
1
Next
»
loading
play
GLOVE - "This Is Going To Hurt" [Third Circle Recordings] (Documentary)
play
Recording Drums With Steve Albini [Third Circle Recordings]
play
James Gasson - "Scentless Apprentice" (Nirvana Cover) [Third Circle Recordings]
play
The Atom Jacks - "MK Ultra" [Third Circle Recordings]
play
GLOVE - "Not Your God" [Third Circle Recordings]
play
PUSSYLIQUOR - "Pretty Good For A Girl" [Third Circle Recordings]
play
Transformer - "Do 4 U" [Third Circle Recordings]
play
Cat Fire Radio (James Gasson + Mishkin Fitzgerald) - "500 Days" [Third Circle Recordings]
play
Other States - "Come Back To Me" [Third Circle Recordings]
«
Prev
1
/
1
Next
»
loading

James's Blog

Inside a simple DI box
DI Boxes: A Distinction Without A Difference..?

A good friend of mine recently purchased a new DI box; an Orchid Electronics Direct Inject [...]

Diagram comparing stereo microphone techniques
Stereo Recording Techniques On Test

Often in recording scenarios it is necessary to implement a stereo miking technique. Usually this is [...]

Close up of dummy head for binaural recording
Binaural Recording

Have you ever wondered how it is possible for the human brain to so accurately detect [...]

Close up of high-hats
Eliminating High-Hat Spill

When recording a drum kit one of the most perennial problems encountered is high-hat spill on [...]

Patch cables in the rear of a MOTU 828
MOTU??! Urrgh… *Real* Sound Engineers Only Use Prism Converters, Dontcha Know? Hiffle, piffle, pibble and fwaf.

Earlier this year I visited Steve Albini’s Chicago studio, Electrical Audio, with the goal of not [...]

Spinning LP on a record player
Crushed To Hell: My Thoughts About Mastering

For the second time in my life I have realised that reaching out to a mastering [...]

Ableton, Synths and other gear
How To Prepare For Your Session

If you have read the post “How long does it take to record a song?”, you [...]

Warning: Bullshit!
The Bullshittery Of Audio Jargon

The topic of audio recording is vast and open-ended, and discussion about associated equipment in particular [...]

Metronome
To Click Or Not To Click? That Is The Question

In the modern era of music recording it is generally accepted practice to use a click [...]

Integrity in audio practise
Honesty

There is a fundamental and perpetually overlooked tactic worth employing in the game of social interaction [...]

A piece of postmodern guitar art
How To Make A Guitar Sound Like… A Guitar!

It may be an unfamiliar premise to some, but I am fervently of the opinion that [...]

Comb filtering in drum overhead microphones
Comb Filtering In Drum Overhead Microphones

Recording drums in a small room is a problem that any engineer not blessed with an [...]

Guitarist looks at watch
How Long Does It Take To Record A Song?

The most common question I am asked by prospective clients upon enquiring about a session has [...]

Depressed man and a giant thread adaptor
Thread Adaptors And The Pain Of Existence

My sound engineering brethren, I feel your pain. I do. And for years I have been [...]

XLR cables being plugged in
What’s Involved In A Recording Session?

If you made it through the post “How Long Does It Take To Record A Song?” [...]

James and the lads
Why I Love Recording

Yesterday, after some time feeling decidedly down in the dumps over the horrific year that has [...]

Coles 4038 pointing at a drum kit
Drum Miking Techniques

While working as a freelance engineer in a prominent Brighton studio I saw that here lay [...]

Mike's mics
Mics or Mikes?

Studio engineers, recording enthusiasts, musicians and journalists. I hereby call your attention to an issue of [...]

ORTF stereo recording at the University of Sussex
Impulse Responses & Convolution Reverb: How To Sample An Acoustic Space

Those familiar with audio production probably know that there are two types of digitally synthesised reverb [...]