How To Prepare For Your Session

Ableton, Synths and other gear

If you have read the post “How long does it take to record a song?”, you will know that I consider a band’s readiness in preparation for their upcoming session to be one of the most defining aspects in determining the quality of the end result. To rock up unprepared with a perennially out of tune guitar and no spare strings is to advertise your disinterest in achieving good results while keeping costs down.

To prevent such a disaster, here are all the steps a band can take to ensure that their recording session runs as smoothly as possible, such that we can all collaborate harmoniously (pun intended) towards a fantastic end result:

1. Rehearse, rehearse, rehearse!
You must know your material inside out and be able to perform it instinctively.

2. Work out the starting tempo of your songs.
Use a metronome to familiarise yourselves with the tempo of each of your songs. You don’t have to rely on it for the whole song but you can certainly use it as a guide before you start.

3. Conduct your own pre-production.
Before entering the studio, take your songs apart. Make sure no-one is doing anything weird or out of key. You can guarantee that there’s some overlooked bass scale that no-one ever noticed. Don’t wait until you’re in the studio to discover it.

4. Record rough demos of your songs and review them.
All phones are capable of recording high resolution audio these days. Get into your practice space and stick a phone in the middle of the room. Listen back to the recording and make sure you’re not dragging your heels or speeding up in weird places.

5. Use good equipment.
Recordings are only as good as the instrument being played. Make sure your equipment is the best available and appropriate for the results you want to achieve. Don’t rely on the engineer to “get you a good sound” (note that “good” ≠ “expensive”).

6. Ensure your equipment works properly.
Turning up with a broken input jack is a huge waste of time. There’s no reason for it.

7. Use fresh strings, skins, drumsticks and reeds.
Fresh strings cut like a knife. Old, knackered breakables tend to sound old and knackered. Get that snare sounding as good as it can ahead of the session.

8. Choose your instruments wisely.
Don’t wait until the mix before talking about what you want the snare to sound like. If you want the snare to sound more “snappy”, you need to play a “snappy” sounding snare drum.

9. Prepare any necessary files/samples/projects in advance.
Don’t have your engineer wading through your memory stick searching for “backing-track-NEW-v7.wav.aif”, which you’re sure should be on there somewhere.

10. Bring spares.
The phrase “Has anyone got a spare E string?” could be the death knell of your recording session. Be prepared!

11. Don’t be greedy.
One good song done really well is worth more than 4 rushed songs.

12. Recording is not a magic wand; it reveals truth.
There is not a magic wall that separates the Live Room from the Control Room. Poor musicianship going in equals a poor sound coming out.

13. Be realistic about your expectations.
Rome wasn’t built in a day, and Nevermind wasn’t recorded in a weekend.

14. Make sure that all your bandmates are aware of and prepared for the session.
“Ah shit, our drummer thought the session was next week!” Facepalm.

15. Don’t go out and get shitfaced the night before your session.
Recording is hard work and can be mentally fatiguing. Undertaking a session having slept for 2 hours on your mate’s floor is suboptimal.

16. Budget sensibly for your session.
If you want stellar results then be realistic about the financial investment required to get you there.

17. Don’t put too much pressure on yourselves.
Music is about personality as much as it is about technical craft. The less stressed you are, the more you enjoy yourself and the better your take is likely to be.

18. Make sure everyone in the band is on the same page.
Band arguments over how a song should sound are detrimental to band relations, and seriously slow the recording process down. Make sure you all agree who is in charge and resolve any conflicts prior to your session.

19. Don’t be precious.
Sometimes ideas don’t work, guitar tones don’t fit, and the take isn’t right. Don’t be afraid to be brutal for the good of the song.

20. Arrive well-rested and on time.
Prepping your travel arrangements in advance and knowing your route will ensure that you don’t arrive stressed.

21. Factor in set-up time/room for error.
A number of things can go wrong in a recording that need time to solve. Bare this in mind when planning your session.

22. Don’t be afraid to speak your mind.
Not everything can be solved in the mixing stage, so if something doesn’t sound right to you during tracking, speak before it’s too late!

23. Don’t let the engineer call the shots.
Remember that the engineer works for you, not the other way round! When all is said and done, your decision is final.

I am James Gasson, music warrior. With my mighty skills of imperfect objectivity and excellent tea making, I am on a mission to encourage critical thinking whilst trying to avoid tripping over stuff.

Take a listen to a medley of my recordings here:

If you want help with your project, or you simply want to chat about life, the universe, and/or everything, feel free to drop me a line:

2 thoughts on “How To Prepare For Your Session

  1. download video from facebook online says:

    First off I would like to say wonderful blog!
    I had a quick question in which I’d like to ask if you don’t mind.
    I was curious to find out how you center yourself and clear your head before writing.
    I have had a tough time clearing my mind in getting my
    ideas out. I do take pleasure in writing but it just seems like the first 10 to 15 minutes
    are usually wasted just trying to figure out how to begin. Any recommendations or tips?

    Appreciate it!

    • James Gasson says:

      Thanks so much for the compliment! I wish I had some good advice for you but honestly writing is just something that has always come naturally for me. I have a love of language and I think I draw heavily from my childhood influences. I recently watched Blackadder Third for the first time in ages; when I was a kid I watched it repeatedly, and its dry wit and caustic delivery has always been fixed in my mind, and has informed my pattern of speech and sense of humour ever since. Go and watch the episode “Ink and Incapability” to see what I’m talking about – the writing is sublime. So I think my advice would be to read a lot, and to listen to lots of intellectual people you admire. Allow their command of language to rub off on you. If you indulge plenty of good influences then they will absorb into your subconscious, and then when you sit down to write the words will likely be more forthcoming.

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