It may be an unfamiliar premise to some, but I am fervently of the opinion that the goal of recording audio is to accurately capture and faithfully reproduce a particular sound. Not to fuck around with it, contorting it into something that only dimly represents what was originally going on, but to trust in the [...]
MOTU??! Urrgh… *Real* Sound Engineers Only Use Prism Converters, Dontcha Know? Hiffle, piffle, plip and wank.
Earlier this year I visited Steve Albini’s Chicago studio, Electrical Audio, with the goal of not only recording some drums with the man himself, but also scrutinising his mic techniques in order to learn more about how such an incredible drum sound is achieved. The results were as fantastic as you would expect, and I [...]
For the second time in my life I have realised that reaching out to a mastering studio to put the “finishing touches” on my music is completely pointless. Allow me to explain… Mastering recorded audio became its own discipline after the Second World War, when a “dubbing engineer”, secondary to the recording/mix engineer, was tasked [...]