Tag Archives: music

DI Boxes: A Distinction Without A Difference..?

A good friend of mine recently purchased a new DI box; an Orchid Electronics Direct Inject box – an active DI that retails for about 40 quid. It looks like this: He excitedly proclaimed that for the money the sound was fantastic, enjoying in particular how it interfaced with his bass guitar. I was intrigued. […]

How To Make A Guitar Sound Like… A Guitar!

It may be an unfamiliar premise to some, but I am fervently of the opinion that the goal of recording audio is to accurately capture and faithfully reproduce a particular sound. Not to fuck around with it, contorting it into something that only dimly represents what was originally going on, but to trust in the […]

MOTU??! Urrgh… *Real* Sound Engineers Only Use Prism Converters, Dontcha Know? Hiffle, piffle, pibble and fwaf.

Earlier this year I visited Steve Albini’s Chicago studio, Electrical Audio, with the goal of not only recording some drums with the man himself, but also scrutinising his mic techniques in order to learn more about how such an incredible drum sound is achieved. The results were as fantastic as you would expect, and I […]

Crushed To Hell: My Thoughts About Mastering

For the second time in my life I have realised that reaching out to a mastering studio to put the “finishing touches” on my music is completely pointless. Allow me to explain… Mastering recorded audio became its own discipline after the Second World War, when a “dubbing engineer”, secondary to the recording/mix engineer, was tasked […]

Stereo Recording Techniques On Test

Often in recording scenarios it is necessary to implement a stereo miking technique. Usually this is employed to capture room ambience at a distance from the originating sound source, by which I mean the reverberant field of an acoustic environment – anywhere where the late reflections are of greater intensity than the direct sound. Whether […]

Drum Miking Techniques

While working as a freelance engineer in a prominent Brighton studio I saw that here lay an excellent opportunity to properly exploit a decent live room and a large selection of microphones (a combination of ribbon mics with my own extensive set of small diaphragm condensers) in order to once and for all produce the […]